THE FURTHER ADVENTURES OF HEDDA GABLER
A crackerjack theatrical design can make the difference between a very good production and a great one, and can sometimes even make a so-so script seem better than it actually is. I loved Jeff Whitty’s...
View ArticleFDR
The Pasadena Playhouse has reopened only nine months after the sad announcement that it was closing its doors for good, news worth celebrating in the streets with fireworks to light up the sky. If only...
View ArticleTHE BLUE ROOM
When David Hare’s The Blue Room was staged at the Pasadena Playhouse in 2002, it ran about 90 minutes without an intermission. The same play now being presented at The Moth Theatre on Melrose lets out...
View ArticleISLAND OF BRILLIANCE
Eighteen-year-old Evie is reputed to be one of the top students in her New Jersey high school, but you wouldn’t know it from her college interviews. She tells the Princeton interviewer that she applied...
View ArticleCarnEvil
Sacred Fools Theatre Company, the troupe that brought Los Angeles such delightful oddities as Hamlet Shut Up, Land Of The Tigers, and BeaverQuest! The Musical, now gives us CarnEvil: A Gothic Horror...
View ArticleVICTOR/VICTORIA
A show-stopping performance by Kristin Towers-Rowles, StageSceneLA’s Scenie-winning Breakthrough Musical Theater Performer Of The Year, is the best reason to see Malibu Stage Company’s small-stage...
View ArticleBABY DOLL
Joel Daavid’s production of Tennessee Williams’ Baby Doll starts off strikingly as elderly Aunt Rose Comfort enters her nephew’s ramshackle Mississippi cotton gin and frees the play’s ensemble/Greek...
View ArticleJERKER
Robert Chesley’s 1986 two-character drama Jerker has been called “one of the most important pieces of gay theater ever created,” though you’d be hard-pressed to determine why this is so based only on...
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